In the following questions, you have four passage with 5/10 questions in each passage. Read the passages carefully and choose the best answer to each question, out of the four alternatives.

The habit of reading is one of the greatest resources of mankind; and we enjoy reading books that belong to us much more than if they are borrowed. A borrowed book is like a guest in the house: it must be treated with punctiliousness, with certain, considerate formality. You must see that it sustains no damage; it must not suffer while under your roof. You cannot leave it carelessly, you cannot mark it, you cannot turn down the pages, you cannot use it familiarly.

But your own books belong to you; you treat them with that affectionate intimacy that annihilates formality.

Books are for use, not for show, a good reason for marking favourite pages in books is that this practice enables you to remember more easily the significant sayings, to refer to them quickly.

Everyone should begin collecting a private library in youth; one should have one’s own bookshelves, which should not have doors, glass windows, or keys; they should be free and accessible to the hand as well as to the people and for the people. Literature is an immortal part of history; it is the best and most enduring part of personality.

What are the advantages of marking favourite passages of your personal books? (Pick out the correct one)

• It enables one to remember facts.

• It enables one to remember the significant sayings.

• It hinders one from remembering more easily.

• It hinders one from remembering more easily.

In the following questions, you have four passage with 5/10 questions in each passage. Read the passages carefully and choose the best answer to each question, out of the four alternatives.

The habit of reading is one of the greatest resources of mankind; and we enjoy reading books that belong to us much more than if they are borrowed. A borrowed book is like a guest in the house: it must be treated with punctiliousness, with certain, considerate formality. You must see that it sustains no damage; it must not suffer while under your roof. You cannot leave it carelessly, you cannot mark it, you cannot turn down the pages, you cannot use it familiarly.

But your own books belong to you; you treat them with that affectionate intimacy that annihilates formality.

Books are for use, not for show, a good reason for marking favourite pages in books is that this practice enables you to remember more easily the significant sayings, to refer to them quickly.

Everyone should begin collecting a private library in youth; one should have one’s own bookshelves, which should not have doors, glass windows, or keys; they should be free and accessible to the hand as well as to the people and for the people. Literature is an immortal part of history; it is the best and most enduring part of personality.

How should the book-shelves of the private library be?

• Should have doors

• Should have glass windows

• Should have keys

• Should have keys

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

Lorde : I keep a journal and write in it fairly regularly. I get a lot of my poems out of it. It’s like the raw material for my poems. Sometimes I’m blessed with a poem that comes in the form of a poem, but other times I’ve worked for two years on a poem.

For me, there are two very basic and different processes for televising my poetry. One is recognizing that a poem has not yet become itself. In other words, I mean that the feeling, the truth that the poem is anchored in is somehow not clearly clarified inside of me, and as a result, it lacks something. Then it has to be re-felt. Then there’s the other process which is easier. The poem is itself, but it has rough edges that need to be refined. That kind of revision involves picking the image that is more potent or tailoring it so that it carries the feeling. That’s an easier kind of re-writing and re-feeling.

From where could this account have been taken?

• A journal

• A newspaper

• An interview

• An interview

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

Lorde : I keep a journal and write in it fairly regularly. I get a lot of my poems out of it. It’s like the raw material for my poems. Sometimes I’m blessed with a poem that comes in the form of a poem, but other times I’ve worked for two years on a poem.

For me, there are two very basic and different processes for televising my poetry. One is recognizing that a poem has not yet become itself. In other words, I mean that the feeling, the truth that the poem is anchored in is somehow not clearly clarified inside of me, and as a result, it lacks something. Then it has to be re-felt. Then there’s the other process which is easier. The poem is itself, but it has rough edges that need to be refined. That kind of revision involves picking the image that is more potent or tailoring it so that it carries the feeling. That’s an easier kind of re-writing and re-feeling.

Lorde is probably a

• poet

• novelist

• dramatist

• dramatist

235.

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

Lorde : I keep a journal and write in it fairly regularly. I get a lot of my poems out of it. It’s like the raw material for my poems. Sometimes I’m blessed with a poem that comes in the form of a poem, but other times I’ve worked for two years on a poem.

For me, there are two very basic and different processes for televising my poetry. One is recognizing that a poem has not yet become itself. In other words, I mean that the feeling, the truth that the poem is anchored in is somehow not clearly clarified inside of me, and as a result, it lacks something. Then it has to be re-felt. Then there’s the other process which is easier. The poem is itself, but it has rough edges that need to be refined. That kind of revision involves picking the image that is more potent or tailoring it so that it carries the feeling. That’s an easier kind of re-writing and re-feeling.

Another word in the second paragraph that means 'rewriting' is

• re-feeling

• recognizing

• picking

• picking

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

Lorde : I keep a journal and write in it fairly regularly. I get a lot of my poems out of it. It’s like the raw material for my poems. Sometimes I’m blessed with a poem that comes in the form of a poem, but other times I’ve worked for two years on a poem.

For me, there are two very basic and different processes for televising my poetry. One is recognizing that a poem has not yet become itself. In other words, I mean that the feeling, the truth that the poem is anchored in is somehow not clearly clarified inside of me, and as a result, it lacks something. Then it has to be re-felt. Then there’s the other process which is easier. The poem is itself, but it has rough edges that need to be refined. That kind of revision involves picking the image that is more potent or tailoring it so that it carries the feeling. That’s an easier kind of re-writing and re-feeling.

According to the writer the two processes involved in revising her work are

• complex and confusing

• clear yet different

• difficult and complex

• difficult and complex

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

The important thing in life is not what you have been but what you are reaching for and becoming. At my age, when I can see the end of the road more clearly than most, I can sit back and recollect in tranquility the varying vicissitudes of my life and what it has taught me. When I look back, I find that the great and glorious hours of my life were those when I gave a helping hand to others without expecting anything in return and not when I struggled and succeeded to gain my own ends. And I can well imagine and appreciate that in this world those alone live who live for others. I have no regrets for the past. Life has been kind to me. My only regret is that I received more from life than I gave.

What stage of life must the author be?

• Adolescence

• Youth

• Middle age

• Middle age

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

The important thing in life is not what you have been but what you are reaching for and becoming. At my age, when I can see the end of the road more clearly than most, I can sit back and recollect in tranquility the varying vicissitudes of my life and what it has taught me. When I look back, I find that the great and glorious hours of my life were those when I gave a helping hand to others without expecting anything in return and not when I struggled and succeeded to gain my own ends. And I can well imagine and appreciate that in this world those alone live who live for others. I have no regrets for the past. Life has been kind to me. My only regret is that I received more from life than I gave.

What feelings does the author harbour about life?

• Regret

• Gratitude

• Sadness

• Sadness

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

The important thing in life is not what you have been but what you are reaching for and becoming. At my age, when I can see the end of the road more clearly than most, I can sit back and recollect in tranquility the varying vicissitudes of my life and what it has taught me. When I look back, I find that the great and glorious hours of my life were those when I gave a helping hand to others without expecting anything in return and not when I struggled and succeeded to gain my own ends. And I can well imagine and appreciate that in this world those alone live who live for others. I have no regrets for the past. Life has been kind to me. My only regret is that I received more from life than I gave.

What, according to the author, were the most fulfilling moments of his life?

• When he recollected his life in tranquility.

• When he succeeded in gaining his own ends.

• When he managed to struggle through the vicissitudes of life.

• When he managed to struggle through the vicissitudes of life.

In the following questions, you have six brief passages with five questions following each passage. Read the passage carefully and choose the best answer to each question out of the four alternatives.

The important thing in life is not what you have been but what you are reaching for and becoming. At my age, when I can see the end of the road more clearly than most, I can sit back and recollect in tranquility the varying vicissitudes of my life and what it has taught me. When I look back, I find that the great and glorious hours of my life were those when I gave a helping hand to others without expecting anything in return and not when I struggled and succeeded to gain my own ends. And I can well imagine and appreciate that in this world those alone live who live for others. I have no regrets for the past. Life has been kind to me. My only regret is that I received more from life than I gave.

What, according to the author, is the most important thing in life.

• The achievements of one's life.

• The struggles one has faced in life.

• The thing one is striving for.

• The thing one is striving for.