Read the passage carefully and choose the best answer to the given question out of the four alternatives.

The public distribution system, which provides food at low prices, is a subject of vital concern. There is a growing realization that though India has enough food to feed its masses two square meals a day, the monster of starvation and food insecurity continues to haunt the poor in our country.
Increasing the purchasing power of the poor through providing productive employment leading to rising income, and thus good standard of living is the ultimate objective of public policy.
However, till then, there is a need to provide assured supply of good through a restructured, more efficient and decentralized public distribution system (PDS). Although the PDS is extensive it is one of the largest such systems in the world - it has not reached the rural poor and the remote places. It remains an urban phenomenon, with the majority of the rural poor still out of its reach due to lack of economic and physical access. The poorest in the cities and the migrants are left out, for they generally do not possess ration cards. The allocation of PDS supplies in big cities is larger than in rural areas. In view of such deficiencies in the system, the PDS urgently needs to be streamlined. Also, considering the large food grains production combined with food subsidy on one hand and the continuing slow starvation and dismal poverty of rural population on the other, there is a strong case for making PDS target group oriented. By making PDS target group oriented, not only the poorest and the neediest would be reached without additional cost but we can also reduce the overall costs incurred.

What according to the passage, would be the rational of making the PDS target-group oriented?

• It will abolish the imbalance of urban and rural sectors

• It will motivate the target-group population to work more

• It will give food to the poorest section without additional cost

• It will remove poverty

Read the passage carefully and choose the best answer to the given question out of the four alternatives.

The public distribution system, which provides food at low prices, is a subject of vital concern. There is a growing realization that though India has enough food to feed its masses two square meals a day, the monster of starvation and food insecurity continues to haunt the poor in our country.
Increasing the purchasing power of the poor through providing productive employment leading to rising income, and thus good standard of living is the ultimate objective of public policy.
However, till then, there is a need to provide assured supply of good through a restructured, more efficient and decentralized public distribution system (PDS). Although the PDS is extensive it is one of the largest such systems in the world - it has not reached the rural poor and the remote places. It remains an urban phenomenon, with the majority of the rural poor still out of its reach due to lack of economic and physical access. The poorest in the cities and the migrants are left out, for they generally do not possess ration cards. The allocation of PDS supplies in big cities is larger than in rural areas. In view of such deficiencies in the system, the PDS urgently needs to be streamlined. Also, considering the large food grains production combined with food subsidy on one hand and the continuing slow starvation and dismal poverty of rural population on the other, there is a strong case for making PDS target group oriented. By making PDS target group oriented, not only the poorest and the neediest would be reached without additional cost but we can also reduce the overall costs incurred.

The public distribution system, which provides food at ......... is a subject of vital concern.

• high prices

• low prices

• as per capital income

• fair prices

You have a passage following with question. Read the passage carefully and choose the best answer to each question out of the four alternatives.

A crucial element that defines the soap opera is the open-ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran, is “that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode.”
In 2012, Robert. Lloyd of the Los Angeles Times wrote of daily dramas, “Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes and conversations that a 22-episodes-per-season weekly series might dispense with half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters the apparent villains grow less apparently villainous.
Soap opera storylines run concurrently, intersect and lead into further developments An individual episode of a soap opera will generally switch between several different concurrent “.arrative threads that may at times interconnect and affect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end-of-season cliffhanger.

What does the author mean by the open-ended nature of soap operas?

• Every episode ends shruptly

• Consecutive episodes have no connection

• Each episode ends with a promise that the storyline is to be continued in another episode

• Every episode has a different story

You have a passage following with question. Read the passage carefully and choose the best answer to each question out of the four alternatives.

A crucial element that defines the soap opera is the open-ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran, is “that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode.”
In 2012, Robert. Lloyd of the Los Angeles Times wrote of daily dramas, “Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes and conversations that a 22-episodes-per-season weekly series might dispense with half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters the apparent villains grow less apparently villainous.
Soap opera storylines run concurrently, intersect and lead into further developments An individual episode of a soap opera will generally switch between several different concurrent “.arrative threads that may at times interconnect and affect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end-of-season cliffhanger.

A soap opera has the space for it to be more

• dramatic

• tragic

• artistic

• naturalistic

575.

You have a passage following with question. Read the passage carefully and choose the best answer to the given question out of the four alternatives.

A crucial element that defines the soap opera is the open-ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran, is “that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode.”
In 2012, Robert. Lloyd of the Los Angeles Times wrote of daily dramas, “Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes and conversations that a 22-episodes-per-season weekly series might dispense with half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters the apparent villains grow less apparently villainous.
Soap opera storylines run concurrently, intersect and lead into further developments An individual episode of a soap opera will generally switch between several different concurrent “.arrative threads that may at times interconnect and affect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end-of-season cliffhanger.

The economics of a soap opera form demands for it to have

• melodramatic events

• promising storylines

• long scenes

• luxurious space

You have a passage following with question. Read the passage carefully and choose the best answer to the given question out of the four alternatives.

A crucial element that defines the soap opera is the open-ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran, is “that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode.”
In 2012, Robert. Lloyd of the Los Angeles Times wrote of daily dramas, “Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes and conversations that a 22-episodes-per-season weekly series might dispense with half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters the apparent villains grow less apparently villainous.
Soap opera storylines run concurrently, intersect and lead into further developments An individual episode of a soap opera will generally switch between several different concurrent “.arrative threads that may at times interconnect and affect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end-of-season cliffhanger.

An individual episode of a soap opera generally switches between

• successive intersections of events

• different concurrent narrative threads

• more time spent with minor characters

• apparent villains that grow less apparent villainous

You have a passage following with question. Read the passage carefully and choose the best answer to the given question out of the four alternatives.

A crucial element that defines the soap opera is the open-ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran, is “that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode.”
In 2012, Robert. Lloyd of the Los Angeles Times wrote of daily dramas, “Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes and conversations that a 22-episodes-per-season weekly series might dispense with half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters the apparent villains grow less apparently villainous.
Soap opera storylines run concurrently, intersect and lead into further developments An individual episode of a soap opera will generally switch between several different concurrent “.arrative threads that may at times interconnect and affect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end-of-season cliffhanger.

Soap operas that run for a part of the year usually end in

• a cliffhanger

• a sequence

• a cliff

• an episode

You have a passage following with question. Read the passage carefully and choose the best answer to the given question out of the four alternatives.

Two or three days and nights went by, 1 reckon I might say they swam by they slid along so quiet and smooth and lovely. Here is the way we put it in the time. It was a monstrous big river down there-sometimes a mile and a half wider we ran rights, and laid up and hid daytimes, soon as night was most gone we stopped navigating and tied up nearly always in the dead water under a towhead and then cut young cotton woods and willows and hid the roft with them-Then, we set out the lines. Next we slid into the river and had a swim, so as to freshen up and cool, off then we set down on the sandy bottom where the water was about knee deep and watched the daylight come. Not a sound anywhere-perfectly shill just like the whole word was asleep, only sometimes, the bullfrogs a cluttering maybe. The first thing to see, looking away over the water, was a kind of dull line- that was the woods on other side, you couldn’t make nothing else out, then a pale place in the sky, then more paleness spreading around, then the river softened up away off and warm black any more, but gray you could see little dark spots drifing along ever so far away- rading scowe and such things and long black streaks-rafts sometimes you could hear a sweep creaking, jumbled up voices, it was so still and sounds comes so far and by and by you could see a streak on the water which you know by the look of the streak that there’s snag there in a current which breaks on it and makes that streak look that way.

How did the days and nights go by, according to the writer?

• They slid along so smooth and soft and quietly

• They slid along so quietly and smooth and softly

• They slid along so quiet and smooth and lovely

• They slid along so smooth and queitly

You have a passage following with question. Read the passage carefully and choose the best answer to the given question out of the four alternatives.

Two or three days and nights went by, 1 reckon I might say they swam by they slid along so quiet and smooth and lovely. Here is the way we put it in the time. It was a monstrous big river down there-sometimes a mile and a half wider we ran rights, and laid up and hid daytimes, soon as night was most gone we stopped navigating and tied up nearly always in the dead water under a towhead and then cut young cotton woods and willows and hid the roft with them-Then, we set out the lines. Next we slid into the river and had a swim, so as to freshen up and cool, off then we set down on the sandy bottom where the water was about knee deep and watched the daylight come. Not a sound anywhere-perfectly shill just like the whole word was asleep, only sometimes, the bullfrogs a cluttering maybe. The first thing to see, looking away over the water, was a kind of dull line- that was the woods on other side, you couldn’t make nothing else out, then a pale place in the sky, then more paleness spreading around, then the river softened up away off and warm black any more, but gray you could see little dark spots drifing along ever so far away- rading scowe and such things and long black streaks-rafts sometimes you could hear a sweep creaking, jumbled up voices, it was so still and sounds comes so far and by and by you could see a streak on the water which you know by the look of the streak that there’s snag there in a current which breaks on it and makes that streak look that way.

They stopped navigating

• at daytime

• at dawn

• at night

• at dusk

You have a passage following with question. Read the passage carefully and choose the best answer to the given question out of the four alternatives.

Two or three days and nights went by, 1 reckon I might say they swam by they slid along so quiet and smooth and lovely. Here is the way we put it in the time. It was a monstrous big river down there-sometimes a mile and a half wider we ran rights, and laid up and hid daytimes, soon as night was most gone we stopped navigating and tied up nearly always in the dead water under a towhead and then cut young cotton woods and willows and hid the roft with them-Then, we set out the lines. Next we slid into the river and had a swim, so as to freshen up and cool, off then we set down on the sandy bottom where the water was about knee deep and watched the daylight come. Not a sound anywhere-perfectly shill just like the whole word was asleep, only sometimes, the bullfrogs a cluttering maybe. The first thing to see, looking away over the water, was a kind of dull line- that was the woods on other side, you couldn’t make nothing else out, then a pale place in the sky, then more paleness spreading around, then the river softened up away off and warm black any more, but gray you could see little dark spots drifing along ever so far away- rading scowe and such things and long black streaks-rafts sometimes you could hear a sweep creaking, jumbled up voices, it was so still and sounds comes so far and by and by you could see a streak on the water which you know by the look of the streak that there’s snag there in a current which breaks on it and makes that streak look that way.

After a swim in the moor they

• set down on the sandy shore and watched the daylight come

• set down on the sandy bottom and watched the daylight come

• set down on the sandy bottom where the water was about ankle deep and watched the daylight come

• set down on the sandy bottom where the water was about knee deep and watched the daylight come